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Eighteen Bridges magazine

c/o Centre de littérature canadienne

3-5 Humanities Centre

University of Alberta

Edmonton, AB, T6G 2E5

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2018 CLC Kreisel Lecture: Michael Crummey

The past twenty-five years have witnessed the flowering of a Newfoundland literature that has had a significant presence on the national and international stage. The place and its people have featured in the work of writers such as Annie Proulx, Wayne Johnston and Lisa Moore, all of whom have been published to acclaim in countries around the world. The emergence of a significant body of fiction in which Newfoundland’s culture and history figures prominently has done much to influence the image of Newfoundland that people from the province and in the outside world “see.” And it has also raised niggling questions about the use of history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources?

Using Newfoundland and its recent literature as a case study, and drawing on Michael Crummey’s own experience appropriating historical characters to fictional ends, “Most of What Follows is True” is an examination of the complex relationship between fact and fiction, between the “real world” and the stories we tell to explain the world to ourselves.

Date: April 12, 2018

Time: 7:30 pm

Place: The Timms Centre for the Arts (87th Avenue and 112th Street NW, University of Alberta campus)

Price: Pay What You Can

 

Le CLC a le plaisir d’annoncer le dossier spécial, << Affects féministes dans les productions littéraires et culturelles>>

Le dossier spécial << Affects féministes dans les productions littéraires et culturelles/ Affecting Feminist Literary and Cultural Production>> paraît désormais dans Atlantis: Critical Studies in Gender, Culture & Social Justice.

Co-dirigé par Libe García Zarranz, chercheure affiliée au CLC, avec Evelyne Ledoux-Beaugrand, le dossier présente une préface rédigée par notre directrice Marie Carrière. Cette publication inclut aussi un article de Maïté Snauwaert, membre du comité directeur du CLC, ainsi que les analyses de plusieurs autres affiliés au centre.

<< Affects féministes dans les productions littéraires et culturelles/ Affecting Feminist Literary and Cultural Production>> a été en partie inspiré par le colloque organisé par le CLC et l’Université de Montréal (et grâce à la foundation Trudeau), “Écritures des femmes au Canada et au Québec, Partie II: L’affect et l’écriture des femmes”, tenu à l’automne 2013. 

Vient de paraître: Habiter la mémoire dans la littérature canadienne

Habiter la mémoire dans la littérature canadienne / Inhabiting Memory in Canadian Literature

 

 

 

 

Dirigé par Benjamin Authers, Maïté Snauwaert, et Daniel Laforest

Date de publication: 2017 novembre

Ce livre examine l’importance culturelle de l’espace et de la mémoire en contexte canadien et plus spécifiquement dans les littératures du pays, afin d’inviter des lectures neuves des questions régionales, nationales et globales. Il rassemble sept chapitres en anglais et cinq en français, en plus d’une introduction bilingue. Les contributions, favorisant des approches thématiques et théoriques variées, sont réunies par leur désir de mettre en lumière des croisements inédits entre la mémoire et l’espace en tant qu’ils définissent certains des problèmes les plus brûlants de notre époque au Canada. S’y révèle l’équilibre fort instable entre récits unitaires et fractures communautaires, entre altérité et marginalité, ou entre dislocation et désappartenance.

Featuring seven English-language essays, five French-language essays, and a bilingual introduction, this collection examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It also invites us to recognize local intersections so easily overlooked, yet so important. The diverse critical approaches of this collection reveal and probe the unities and fractures in national understanding, telling stories of otherness and marginality, of dis-location and un-belonging. This collection will be welcomed by readers and critics of Canadian literature.

Collaborateurs / Contributors: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker

Pour vous procurer le livre ou en savoir plus, visiter University of Alberta Press ici.

Ten Canadian Writers in Context

Anthology

Ten Canadian Writers in Context

Marie Carrière, Curtis Gillespie, Jason Purcell, Lynn Coady, Ying Chen, Michael Crummey, Jennifer Delisle, Kit Dobson, Caterina Edwards, Marina Endicott, Lawrence Hill, Daniel Laforest, Alice Major, Don Perkins, Julie Rodgers, Joseph Pivato, Eden Robinson,Gregory Scofield, Winfried Siemerling, Pamela Sing, Maïté Snauwaert, Kim Thúy and Angela Van Essen.

Ten years, ten authors, ten critics.

The Canadian Literature Centre/Centre de littérature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature.

This anthology offers readers samples from some of Canada’s most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer’s work. From the east coast of Newfoundland to Kitamaat territory on British Columbia’s central coast, there is a story for everyone, from everywhere. True to Canada’s multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree.

Ying Chen | essay by Julie Rodgers
Lynn Coady | essay by Maïté Snauwaert
Michael Crummey | essay by Jennifer Bowering Delisle
Caterina Edwards | essay by Joseph Pivato
Marina Endicott | essay by Daniel Laforest
Lawrence Hill | essay by Winfried Siemerling
Alice Major | essay by Don Perkins
Eden Robinson | essay by Kit Dobson
Gregory Scofield | essay by Angela Van Essen
Kim Thúy | essay by Pamela V. Sing

2016 CLC Kreisel Lecturer Margaret Atwood on CBC Radio One Ideas

CBC Atwood

“WHAT DID WE THINK WE WERE DOING…”
… we young writers of Canada?”  That’s a question Margaret Atwood asked during a Canadian Literature Centre talk in Edmonton.  In excerpts from the talk and in conversation with Paul Kennedy, she considers the accidental but sometimes intentional creation of a culture and a tradition.  Some things were unimaginable decades ago, like the diversity and strength of Canadian literature today…or the PowerPoint she uses to help tell the tale.

Friday September 16, 2016
CBC Radio One at 9:05 pm, 9:35 in Newfoundland and Labrador.
Hear it online: cbc.ca/ideas

Who Needs Books? Reading in the Digital Age

Lynn Coady’s new book, Who Needs Books, from her 2015 CLC Kreisel Lecture is available in February 2016 from the University of Alberta Press.

Who Needs Books? Reading in the Digital Age

Introduction by Paul Kennedy.

Author: Lynn Coady

Publishers: co-published by the University of Alberta Press and the Canadian Literature Centre9781772121247

Price: $10.95

ISBN: 978-1-77212-124-7

Format: Trade paperback

Genre: Literature/Essay

About the book:“More people play games than read books. More people watch porn than read books. More people watch sports and TV and movies than read books.”

What happens if we separate the idea of “the book” from the experience it has traditionally provided? Lynn Coady challenges booklovers addicted to the physical book to confront their darkest fears about the digital world and the future of reading. Is the all-pervasive internet turning readers into web-surfing automatons and books themselves into museum pieces? The bogeyman of technological change has haunted humans ever since Plato warned about the dangers of the written word, and every generation is convinced its youth will bring about the end of civilization. In Who Needs Books?, Coady suggests that, even though digital advances have long been associated with the erosion of literacy, recent technologies have not debased our culture as much as they have simply changed the way we read.

About the author: Lynn Coady is an award-winning author and journalist whose work has
consistently drawn critical and public attention. Her first novel, Strange Heaven, was a Governor General’s Award nominee. Her subsequent books, Play the Monster Blind, Saints of Big Harbour, and Mean Boy were each recognized by the Globe and Mail as a “Best Book” in 2000, 2002, and 2006 respectively. In 2011, her novel The Antagonist was shortlisted for the prestigious Scotiabank Giller Prize, an award she won in 2013 for her short story collection Hellgoing. Her journalism has been published in such publications as Saturday Night and Chatelaine, and Coady is also a founding editor of the Edmonton-based magazine Eighteen Bridges.

 

A Tale of Monstrous Extravagance: Imagining Multilingualism

Tomson Highway’s new book, A Tale of Monstrous Extravagance, from his 2014 CLC Kreisel Lecture is now available from the University of Alberta Press.

A Tale of Monstrous Extravagance: Imagining Multilingualism

Highway Book9781772120417_large
Introduction by Christine Sokaymoh Frederick.

Author: Tomson Highway

Publishers: co-published by the University of Alberta Press and the Canadian Literature Centre

Price: $10.95

ISBN: 978-1-77212-041-7

Format: Trade paperback

Genre: Literature/Essay

About the book: “Fasten your chastity belts, ladies and gentlemen, it’s gonna be a bumpy ride.” From his legendary birth in a snowbank in northwestern Manitoba, through his metamorphosis to citizen-artist of the world, polyglot, playwright, pianist, storyteller, and irreverent disciple of the Trickster, Tomson Highway rides roughshod through the languages and communities that have shaped him. Cree, Dene, Latin, French, English, Spanish, and the universal language of music have opened windows and widened horizons in Highway’s life. Readers who can hang on tight—Highway fans, culture mavens, cunning linguists, and fellow tricksters—will experience the profundity of Highway’s humour, for as he says, “In Cree, you will laugh until you weep.”

About the author: Tomson Highway enjoys an international career as a playwright, novelist, and pianist/songwriter. He is considered one of this country’s  foremost Indigenous voices. He is best known for his award-winning plays, The Rez Sisters (1986), Dry Lips Oughta Move to Kapuskasing (1989), Rose (2000), and Ernestine Shuswap Gets Her Trout (2005) as well as his critically-acclaimed novel, Kiss of the Fur Queen (1998). His most recent play is a one-woman musical called, “The (Post) Mistress.” Highway has won four Dora Mavor Moore Awards, a Chalmers Award, and a Wang Festival Award. In 1994, he was named a Member of the Order of Canada, the first Indigenous writer to be inducted. He holds ten honourary doctorates and has been writer-in-residence at universities across Canada. He has travelled extensively around the globe as a speaker and performer, having visited 55 countries to date.  www.tomsonhighway.com

Reviews:

http://www.cbc.ca/books/canadawrites/2015/03/tomson-highway-magic-8.html

http://www.cbc.ca/books/2015/01/a-tale-of-monstrous-extravagance.html

From Mushkegowuk to New Orleans: A Mixed Blood Highway

From Mushkegowuk to New Orleans: A Mixed Blood Highway

JosephBoydenCover-thumb Author: Joseph Boyden
Publishers: co-published by NeWest Press and the Canadian Literature Centre | Centre de littérature canadienne
Price: 9.95 CDN/US
ISBN 13: 978-1-897126-29-5
Released: March 2008
Pages: 48 pages
Format: Trade paperback
Genre: Non-Fiction/Lecture
About the book: In 2007 Joseph Boyden, author of the bestselling novel Three Day Road, was invited by the Canadian Literature Centre | Centre de littérature canadienne to deliver the inaugural Henry Kreisel Lecture at the University of Alberta. Boyden spoke passionately, relating Aboriginal people in Canada to poor African Americans, Whites, and Hispanics in post-Katrina New Orleans. At the end of his lecture he presented a manifesto to the audience, demanding independence from the shackles of North American governments on behalf of these oppressed cultures. The lecture was received with much acclaim and enthusiasm.
About the author: Joseph Boyden is a member of the Ontario Woodland Métis. His first collection of stories, Born With A Tooth, was shortlisted for the Upper Canada Writers’ Craft Award and has been published in Canada and France. His debut novel, Three Day Road, is an international bestseller and has been published in thirteen languages. The first novel to be translated into Cree, it has received numerous awards in Canada and abroad, including the Roger’s Writers’ Trust Prize. Joseph splits his time between Moosonee (or James Bay Lowlands) and New Orleans. He and his wife, novelist Amanda Boyden, are both currently writers-in-residence at the University of New Orleans.