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2019 CLC Kreisel Lecture with Dionne Brand

Don’t miss the 2019 CLC Kreisel Lecture to be delivered by Dionne Brand. Internationally acclaimed poet and novelist Dionne Brand, winner of the Griffin Poetry Prize and the Governor General’s Award, will give a lecture titled “An Autobiography of the Autobiography of Reading.” Brand will be introduced by bestselling author Lawrence Hill.

Brand’s talk takes up her reading of early and persistent narratives that mark and spectacularise Black being. She explores what it means to write back to, or against, dominant colonial, imperialist, and racist tropes, and how, finally, a Black poetics can be a remedy for narrative.

The CLC continues its commitment to maintaining the legacy of Henry Kreisel through its annual CLC Kreisel Lecture series. A forum for open, inclusive critical thinking and cultural engagement, the CLC Kreisel Lecture series is a tribute to Henry Kreisel himself. Past presenters in the series include Michael Crummey, Heather O’Neill, Lynn Coady, Tomson Highway, Esi Edugyan, Lawrence Hill, and Eden Robinson. Like the twelve previous CLC Kreisel Lectures, Brand’s talk will be published in the CLC Kreisel Lecture Series by the University of Alberta Press, in the same fashion as the CBC Massey Lecture Series. The lecture will be recorded and broadcast by CBC Radio One “Ideas.” Bestselling author Lawrence Hill will introduce Brand’s lecture.

Dionne Brand’s literary credentials are legion. Her 2010 book of poetry, Ossuaries, won the Griffin Poetry Prize, and her other accolades include the Governor General’s Literary Award, the Trillium Book Award and the Pat Lowther Memorial Award. Her novel In Another Place, Not Here was selected as a NYT Book Review Notable Book and a Best Book by the Globe and Mail; At the Full and Change of the Moon was selected a Best Book by the LA Times and What We All Long For won the Toronto Book Award. In 2006, Brand was awarded the Harbourfront Festival Prize for her contribution to the world of books and writing, and was Toronto’s Poet Laureate from 2009 to 2012. In 2017, she was named to the Order of Canada, and 2018 saw the publication of two new titles: Theory and The Blue Clerk. Brand is a Professor in the School of English and Theatre Studies at the University of Guelph. She lives in Toronto.

A reception and book signing will follow. Books will be sold by Glass Bookshop.

Tuesday, April 16, 2019 | 7:30 PM
Timms Centre for the Arts
87 Avenue, 112 St NW, Edmonton, AB
Edmonton, AB

Eighteen Bridges

Visit us at…

http://eighteenbridges.com/

18Bridges

Each issue sells for $7.95 plus GST and shipping, and annual subscriptions are available for $25.95 plus GST. Cheques should be made payable to “Eighteen Bridges, University of Alberta”.

Please mail to: Eighteen Bridges magazine, c/o The Canadian Literature Centre, 3-5 Humanities Centre, University of Alberta, Edmonton, AB T6G 2E5.

Print copies can also be purchased at the following locations:

  • U of A Bookstore, 166 Students’ Union Building, 8900 – 114 Street
  • Audreys Books, 10702 Jasper Avenue
  • The Untitled Bookshop, 10516 Whyte Avenue
  • Hub Cigar, 8118 Gateway Boulevard NW

2018 CLC Kreisel Lecture: Michael Crummey

Twelfth Annual CLC Kreisel Lecture: “Most of What Follows is True” by Michael Crummey

The past twenty-five years have witnessed the flowering of a Newfoundland literature that has had a significant presence on the national and international stage. The place and its people have featured in the work of writers such as Annie Proulx, Wayne Johnston and Lisa Moore, all of whom have been published to acclaim in countries around the world. The emergence of a significant body of fiction in which Newfoundland’s culture and history figures prominently has done much to influence the image of Newfoundland that people from the province and in the outside world “see.” And it has also raised niggling questions about the use of history and real-life figures to animate fictional stories. Is there a limit to the liberties a writer can take with the real world? Is there a point at which a fictionalization of history becomes a falsification of history? What responsibilities do writers have to their readers, and to the historical and cultural materials they exploit as sources?

Using Newfoundland and its recent literature as a case study, and drawing on Michael Crummey’s own experience appropriating historical characters to fictional ends, “Most of What Follows is True” is an examination of the complex relationship between fact and fiction, between the “real world” and the stories we tell to explain the world to ourselves.

Date: April 12, 2018

Time: 7:30 pm

Place: The Timms Centre for the Arts (87th Avenue and 112th Street NW, University of Alberta campus)

Price: Pay What You Can

 

CLC Celebrates New Special Issue: Affecting Feminist Literary and Cultural Production

The special issue “Affecting Feminist Literary and Cultural Production/Affects féministes dans les productions littéraires et culturelles” is now out with Atlantis: Critical Studies in Gender, Culture & Social Justice.

Co-edited by CLC Research Affiliate Libe García Zarranz, along with Evelyne Ledoux-Beaugrand, the issue features a foreword from our very own director Marie Carrière. The special issue also includes the work of executive board member Maïté Snauwaert, along with a number of other affiliates of the centre.

“Affecting Feminist Literary and Cultural Production/Affects féministes dans les productions littéraires et culturelles” was in part inspired by a conference organized by the CLC and the Université de Montréal (and with thanks to the Trudeau Foundation), which occurred in Fall 2013: Part II of the Conference on Women’s Writing in Canada and Québec – “Affecting Women’s Writing in Canada & Québec Today.”

To view the issue, click here.

 

Hot off the Press: Inhabiting Memory in Canadian Literature

Inhabiting Memory in Canadian Literature / Habiter la mémoire dans la littérature canadienne

 

 

 

 

Dr. Benjamin Authers, Maïté Snauwaert & Daniel Laforest, editors

Publication date: November, 2017

Featuring seven English-language essays, five French-language essays, and a bilingual introduction, this collection examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It also invites us to recognize local intersections so easily overlooked, yet so important. The diverse critical approaches of this collection reveal and probe the unities and fractures in national understanding, telling stories of otherness and marginality, of dis-location and un-belonging. This collection will be welcomed by readers and critics of Canadian literature.

Ce livre examine l’importance culturelle de l’espace et de la mémoire en contexte canadien et plus spécifiquement dans les littératures du pays, afin d’inviter des lectures neuves des questions régionales, nationales et globales. Il rassemble sept chapitres en anglais et cinq en français, en plus d’une introduction bilingue. Les contributions, favorisant des approches thématiques et théoriques variées, sont réunies par leur désir de mettre en lumière des croisements inédits entre la mémoire et l’espace en tant qu’ils définissent certains des problèmes les plus brûlants de notre époque au Canada. S’y révèle l’équilibre fort instable entre récits unitaires et fractures communautaires, entre altérité et marginalité, ou entre dislocation et désappartenance.

Contributors/ Collaborateurs: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, André Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker

To buy the book or to learn more, visit the University of Alberta Press here.

2017 CLC Kreisel Lecture | Heather O’Neill

2017 CLC Kreisel Lecture with Heather O’Neill

My Education. On unusual muses and mentors. And how I had to teach myself everything in order to cross the class divide.”

Thursday, March 9, 2017 | 7:30 PM | Timms Centre for the Arts
Pay-what-you-can | Reception & signing to follow

 

Watch Heather O’Neill’s 2017 CLC Kreisel Lecture:

Writing Crisis

Die Krise schreiben/Writing Crisis/Écrire la crise

Edited by Ursula Mathis-Moser (Canadian Studies Centre, University of Innsbruck)

Introduction by Marie Carrière (Canadian Literature Centre/Centre de littérature canadienne, University of Alberta)

Nicole Brossard, Louise Dupré, Aritha Van Herk, and Lee Maracle, four grandiose women and writers, reflect on our contemporary crisis and help us navigate ‘beyond’.

Nicole Brossard, Louise Dupré, Aritha Van Herk et Lee Maracle, quatre grandes femmes et admirables écrivaines, réfléchissent sur la crise contemporaine et nous éclairent le chemin de ‘l’au-delà’.

Conversations from the Crisis and Beyond: The Literatures of Canada and Quebec / Écriture de la crise : dans la torment et au-delà Les littératures au Canada et au Québec conference held at the University of Innsbruck in the fall of 2015.

writing-crisis

Ten Canadian Writers in Context

Anthology

Ten Canadian Writers in Context

Marie Carrière, Curtis Gillespie, Jason Purcell, Lynn Coady, Ying Chen, Michael Crummey, Jennifer Delisle, Kit Dobson, Caterina Edwards, Marina Endicott, Lawrence Hill, Daniel Laforest, Alice Major, Don Perkins, Julie Rodgers, Joseph Pivato, Eden Robinson,Gregory Scofield, Winfried Siemerling, Pamela Sing, Maïté Snauwaert, Kim Thúy and Angela Van Essen.

Ten years, ten authors, ten critics.

The Canadian Literature Centre/Centre de littérature canadienne reaches into its ten-year archive of Brown Bag Lunch readings to sample some of the most diverse and powerful voices in contemporary Canadian literature.

This anthology offers readers samples from some of Canada’s most exciting writers of fiction, nonfiction, and poetry. Each selection is introduced by a brief essay, serving as a point of entry into the writer’s work. From the east coast of Newfoundland to Kitamaat territory on British Columbia’s central coast, there is a story for everyone, from everywhere. True to Canada’s multilingual and multicultural heritage, these ten writers come from diverse ethnicities and backgrounds, and work in multiple languages, including English, French, and Cree.

Ying Chen | essay by Julie Rodgers
Lynn Coady | essay by Maïté Snauwaert
Michael Crummey | essay by Jennifer Bowering Delisle
Caterina Edwards | essay by Joseph Pivato
Marina Endicott | essay by Daniel Laforest
Lawrence Hill | essay by Winfried Siemerling
Alice Major | essay by Don Perkins
Eden Robinson | essay by Kit Dobson
Gregory Scofield | essay by Angela Van Essen
Kim Thúy | essay by Pamela V. Sing

2016 CLC Kreisel Lecturer Margaret Atwood on CBC Radio One Ideas

CBC Atwood

“WHAT DID WE THINK WE WERE DOING…”
… we young writers of Canada?”  That’s a question Margaret Atwood asked during a Canadian Literature Centre talk in Edmonton.  In excerpts from the talk and in conversation with Paul Kennedy, she considers the accidental but sometimes intentional creation of a culture and a tradition.  Some things were unimaginable decades ago, like the diversity and strength of Canadian literature today…or the PowerPoint she uses to help tell the tale.

Friday September 16, 2016
CBC Radio One at 9:05 pm, 9:35 in Newfoundland and Labrador.
Hear it online: cbc.ca/ideas